[GLOBAL LOCK] @mara_ref.jpg | @ghost_lane_tunnel.jpg
[MOTION REF] @motion_ref.mp4 — extract camera behavior only, do not transfer subject or location
[SHOT] LOW ANGLE — 35mm anamorphic — Steadicam tracking follow — 24fps
[LIGHT] Sodium vapor practicals overhead — motivated fill from neon at camera left — teal shadows, amber highlights — Kodak 5219 grain
[0:00] Mara walks toward camera, hands in jacket, headlights blooming behind her
[0:04] Camera drifts left — rack focus to her eyes — streetlight catches her jaw
[0:07] Pull back wide — she stops, looks over shoulder — exhaust vapor rises

[GLOBAL LOCK] @mara_ref.jpg | @tunnel_env.jpg — identity contract, do not drift
[MOTION REF] @ref_tracking.mp4 — extract camera physics only, not subject
[BASE] 35mm anamorphic — Steadicam — Kodak 5219 grain — teal shadows, amber highlights — 24fps
[0:00] Mara stands in tunnel mouth, back to camera — headlights silhouetting — exhaust vapor drifting — Steadicam hold, barely breathing
[0:04] She turns — slow pivot — camera drifts right to stay on face — rack focus: tunnel bg → her eyes — sodium light catches jawline
[0:07] Starts walking toward camera — Steadicam begins tracking retreat — anamorphic flare blooms left as headlights align
[0:10] Camera drops lower — Dutch tilt 8° right — she stops — looks over shoulder into tunnel dark
[0:12] Hold on her face — exhaust vapor creeps into frame from below — freeze on tension — end

=== GLOBAL HEADER ===
[GLOBAL LOCK] @mara_ref.jpg | @ghost_lane_tunnel.jpg — identity + environment contract — do not drift across shots
[BASE] 35mm anamorphic — Kodak 5219 pushed 1 stop — teal shadows / amber highlights — lens breathing — 24fps

=== SHOT 01 · Tunnel mouth · EWS → WS ===
[SHOT] EWS — crane mounted — high angle 40ft above street — Mara small at tunnel mouth
[0:00] Mara motionless at entrance — back to camera — exhaust vapor at boots
[0:04] crane descends 40ft to 12ft — Mara grows in frame — scale reveals
[0:08] crane settles at chest height — WS — she turns, looks over shoulder — end

=== SHOT 02 · Close pursuit · MS → CU ===
[SHOT] MS — handheld urgency — aggressive micro-shake — camera 6ft behind Mara
[0:00] Mara running flat out — handheld follows — neon streaks peripheral
[0:05] she cuts left between cars — camera loses her one beat — rapid reframe
[0:09] she vaults hood — camera tilts to follow — exhaust cloud engulfs — end

=== SHOT 03 · Car interior · MCU → ECU ===
[GLOBAL LOCK] @mara_ref.jpg — identity lock only — environment is car interior (new space)
[BASE] 35mm anamorphic — Kodak 5219 — lit by instrument cluster only — grade held
[SHOT] TIGHT — dashboard cam POV — Mara right third — steering wheel left third
[0:00] face lit by instrument cluster — green and amber glow — jaw set
[0:04] eyes flick to rearview — tension hold — 2-second beat
[0:07] grips wheel tighter — slow push in 1 inch — end tight on eyes

=== SHOT 04 · Final reveal · tight → EWS ===
[GLOBAL LOCK] @mara_ref.jpg | @ghost_lane_tunnel.jpg — full lock restored for finale
[SHOT] CRANE UP — wide pull back — Mara and car shrink as tunnel reveals
[0:00] tight on car rear — exhaust cloud — tunnel walls press close
[0:04] crane rises 12ft — city glow at tunnel mouth ahead
[0:09] full tunnel revealed — car a point of light — Dutch tilt 8° — freeze — end

[GLOBAL LOCK] @mara_ref.jpg | @ghost_lane.jpg — identity + environment contract — do not drift
[BASE] 35mm anamorphic — Kodak 5219 pushed 1 stop — teal shadows / amber highlights — crushed blacks — lens breathing — 24fps
[GRADE] split toning throughout — motivated practicals only — no artificial fill

=== SHOT 01 · Ghost Lane entrance · EWS → WS ===
[SHOT] EWS — crane mounted — high angle, 40ft above street — Mara small at tunnel mouth
[LIGHT] sodium gantry overhead — deep shadow between — headlight bloom from tunnel interior
[0:00] Mara motionless at tunnel entrance — back to camera — exhaust vapor pools at boots
[0:04] crane descends — 40ft to 12ft — Mara grows in frame — scale revealed
[0:08] crane settles chest height — WS — she turns to look over shoulder — hold — end

=== SHOT 02 · The pursuit · MS → CU ===
[SHOT] MS — handheld urgency — aggressive micro-shake — camera 6ft behind Mara, chasing
[LIGHT] neon strobing from headlights ahead — teal wash left — hard intermittent shadows at pillars
[0:00] Mara running flat out — handheld struggles to keep pace — neon streaks peripheral
[0:04] she cuts hard left between cars — camera loses her one beat — rapid reframe — finds her
[0:07] she stops — spins to face camera — CU on face — handheld settles — breathing visible
[0:10] rack focus: background chaos → her eyes — anamorphic flare blooms left — hold — end

=== SHOT 03 · Mara alone · MCU → ECU ===
[SHOT] MCU — Steadicam barely breathing — Mara right two-thirds — negative space left
[LIGHT] motivated key from camera left — single sodium practical — chiaroscuro — shadow side 80% black
[0:00] Mara still — jaw set — eyes tracking off-camera right — sodium catches cheekbone
[0:05] slow push in — 2-inch drift — background compression increases — she holds still
[0:08] rack focus: background → eyes — ECU lands on face — lens breathing intensifies
[0:11] Dutch tilt 8° clockwise — hold — exhaust vapor lower frame — freeze — end

[GLOBAL LOCK] @mara_ref.jpg | @ghost_lane.jpg — identity + environment contract
[BASE] 35mm anamorphic — Kodak 5219 pushed 1 stop — teal shadows / amber highlights — 24fps — lens breathing
[AUDIO] @never_catch_me.mp3 — tempo sync: camera events on bass hits — atmosphere sync: motion follows energy envelope — extract timing only, do not add audio to output
[BPM] 120 BPM — 4/4 — downbeat at [0:00] [0:04] [0:08] [0:12]
[SYNC MAP] bass hit → camera move — snare → subject action — downbeat → major event — energy build → accelerate

[SHOT] MCU — Steadicam barely breathing — Mara right two-thirds — sodium key from camera left
[LIGHT] motivated practicals only — sodium overhead amber — teal neon fill left — chiaroscuro — no fill

[0:00] downbeat 1 — Mara completely still — exhaust vapor at jaw — Steadicam hold — sync: locked on downbeat
[0:02] bass hit — camera drifts 1 inch left — eyes move — sodium catches cheekbone — sync: drift on bass
[0:03] snare hit — jaw sets — micro-tension in shoulders — sync: subject action on snare
[0:04] downbeat 2 — rack focus: background → eyes — anamorphic flare blooms left — sync: on downbeat
[0:07] energy build — slow push in initiates — motion intensity rises — atmosphere sync kicks in
[0:08] downbeat 3 / drop — push in lands ECU — lens breathing peaks — Dutch tilt 8° — sync: major event on drop
[0:10] snare + bass coincide — head turns back to camera — eye contact — sync: contact on accent
[0:12] downbeat 4 — freeze frame — Dutch tilt holds — exhaust vapor freezes — end

[EXTRACT] use audio for motion timing only — do not render audio track to output video
[PRIORITY] beat sync takes priority over timestamp if conflict under 0.5s — snap to nearest beat